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Reproduction du tableau Olivia Peyton Murray coupe la femme de William Bayard Alexandre Cabanel Brégence influenced by the Dutch realistic influenced by the Dutch realistic tradition and by attention to light effects and material details The urban scene of Porta Angelica and part of the Vatican opens like a luminous page where Mediterranean light sculpts the architecture and animates the characters In the artistic context of the time offers us here a composition where light and shadows dance harmoniously
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