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Guy de Rougemont Françoise Deville Never was domestic menagerie so Never was domestic menagerie so closely bound to poetic and formal inventiveness this new collection (whose title is a nod to Picasso and Lump) offers a look at the life and work of great artists and art lovers of the 20th and 21st centuries under the angle of the relationship with the “dogs in their lives” mais aussi de celui du sud de la France le dallage très remarqué de l’entrée du musée d’Orsay en 1986
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